Jill Soloway’s “Transparent” is a truly great TV show, primarily because its characters, the Pfeffermans, are unlikeable – selfish, lying, navel-gazing cheaters – yet totally engaging in a way I haven’t seen since “Six Feet Under.”
“Transparent” shines with clever dialogue, intricately layered story lines and an overarching awareness of the primacy and inexorability of truth, whether individual or epigenetic: The truth is patient and will find you, however long it takes.
Plus, “Transparent” portrays older female sexuality in laser-sharp focus. Not gonna lie, I didn’t enjoy watching Judith Light get diddled in the bathtub by Jeffrey Tambor, but I appreciate the message: Old women are human beings with human needs and you, the vaguely-nauseated viewer peeking through your fingers and dying for this scene to be over, need to call yourself out on your ageism. And yes, Gaby Hoffman is strange-looking in the extreme, but it’s only because she refuses to adhere to Hollywood femininity requirements such…
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