This is a piece Stephen Dau posted last September on his blog. Stephen Dau is the author of The Book of Jonas and lives in Brussels. Entire post may be read here. Excerpts below.
There has been some debate, lately, about whether the refugees living in the refugee camp in the middle of Brussels are actually refugees, or if maybe they should be referred to as migrants. The British and American press tend to call them migrants. Mostly, that’s because migrants can be dealt with through existing bureaucratic structures. Migrants are safe. Migrants are business as usual. But refugees constitute an emergency. The French press knows this is an emergency. The French press calls them refugees. Migrants seek opportunity. Refugees flee wars. These people are clearly refugees.
Then everyone stops to look at something. The television cameras have all been trained on what looks to be some major event around a small folding table in the middle of the camp. It’s impossible to see what it is though, because so many cameras have stopped to video it. No one can see past the large cameras, and everyone’s curiosity is piqued. Finally, a different angle, a different view, and someone realizes that all the cameras, in their hyper-vigilent pursuit of symbolic moments, are recording footage of soup being ladled from a pot into a bowl. This is what passes for drama in what is essentially a large, open-air waiting room. When a child begins crying in his mother’s arms, the cameras click like paparazzi snapping glimpses of royal children.
Super writing. Also his novel is really good.